Miłosz Sroczyński is a Polish pianist based in Zurich, Switzerland. After early training in his hometown of Poznań, he continued his studies in Hanover, Geneva with Cédric Pescia, Zurich with Konstantin Scherbakov and Christoph Berner, and London, where he earned the highest music degree, the Artist Diploma, at the Royal College of Music as a scholar under the guidance of the legendary British pianist and esteemed teacher, Prof. Norma Fisher. He has also received valuable artistic insights from figures such as Janina Fialkowska and Pierre-Laurent Aimard, among others.
His successful debut at the 2024 Davos Festival, performing the Goldberg Variations, led to an immediate invitation to return for the following season. In 2025, he will also make his debut at the Tonhalle Zürich with a chamber music program and will record his debut album featuring Bach’s Goldberg Variations, which he has performed in recent years across Europe in cities including London, Hamburg, Berlin, Gothenburg, Zurich, and Warsaw.
A versatile pianist with an extensive classical repertoire, he performs works by Bach, the Viennese Classics, German Romantic composers, and Chopin, as well as pieces by French modernists and contemporary composers. He is experienced with both modern and historical pianos and has won awards at several piano competitions, as well as receiving numerous scholarships from Swiss, Polish, British, and Israeli institutions.
“This is Bach’s Monument written in stone. This was the authority of Rosalyn Tureck who was known as the High Priestess of Bach.
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There was poignant purity to the long slow 25th variation and Milosz did not fall into the rather conventional habit of adding ornaments but just let the music speak for itself. With the possibility of the piano to sustain notes it makes the performing practices of the harpsichord superfluous. It was the chiselled perfection of Milosz that was like Tureck so extraordinary.”
Christopher Axworthy
London, 21.11.2023